This February, our gallery features small handmade books created by Judith Campbell. This exhibit is a display of unique Fine Art books that are both art and fine craft. The display case features the tools and materials to create these small handmade books.
Judith makes these books with and without words. “The books that you make without words are the books that invite you to find the words for the story that you would like to tell.
Rev. Dr. ‘Judy’ Campbell is an ordained Unitarian Universalist Community based Minister and author of several books and articles. In addition to the Olympia Brown mysteries, she has published children’s stories, poetry, and essays on the arts and religion, and on spirituality and creativity. She holds a PhD in the Arts and Religious Studies and a Master of Fine arts. She has presented quilting and writing workshops nationally and internationally. She lives and writes in Plymouth, Massachusetts.
This December, our display case features the blown glass icicles created by artist S. J. Davis.
S. J. Davis received his B.F.A. from Jacksonville University in 2012, where he studied with glass artists Mark Hursty and Bill Slade, One of the only persons ever to apprentice to Dominic Labino a co-founder of the American Studio Glass Movement with Harvey Littleton. Davis also studied under Brian Frus, the former Director of Education at Urban Glass in New York City and alongside Andrew Erdos while in college. After taking workshops at the Corning Museum with Matt Eskuche and Venetian Maestro, Gianni Toso, Davis moved to Boston in pursuit of a career in hot glass. He opened a contemporary glass studio/gallery space and in 2013 received the coveted “Best of the South Shore Editor’s Pick Award” from South Shore Living Magazine for his “hypnotic sculptures.” He has opened a glass studio in Jacksonville, Florida
Davis has exhibited throughout the United States and in Europe, and is included in many public and private collections. He has received commissions for his art work from the State of Massachusetts Department of Conservation and Recreation, the iconic Herring Cove Beach Bath House at the Cape Cod National Seashore, and many local businesses. His works have appeared in the National Liberty Museum in Philadelphia, the Alexander J. Brest Museum in Florida, the New Bedford Museum of Glass, Poudre River Gallery in Foco, the 263 Gallery in Cambridge, the Shimko Gallery in Palm Springs, California, Artist Exposure Gallery in Plymouth, MA, and many other places. Influenced by nature, Davis’ art demonstrates a deep reverence for the beauty in the natural world. He states, “While nature holds the key to our understanding of everything we could ever possibly imagine in the universe, the actual key itself, which unlocks the great mystery of the cosmos, is human imagination.”
We only have a few of these, but they’re in the Local History exhbit case for a short time only. Stop by to see if you’re in a photo from the 1951 or 1952 Halloween party at Kingston Elementary School.
“Great art speaks powerfully, inspires fresh thinking, and connects us to our past.”
This December, our gallery features five of the 40 selections included in the Picturing America series. In this exhibit, the ‘Mission Nuestra Senora de la Concepcion, 1755’, ‘The Peacock Room, 1876-1877’ by James McNeill Whistler, ‘The Boating Party, 1893/1894’ by Mary Cassatt, ‘The Dove, 1964 by Romare Bearden, and ‘The Sources of Country Music, 1975’ by Thomas Hart Benton. The Kingston Public Library applied for and was awarded this grant in 2002.
Picturing America, a project of the National Endowment for the Humanities, told America’s story through its art in forty high-quality reproductions of selected masterworks of American art from 1100 to 1996. Designed to reach K-12 classrooms around the country, the project also features an in-depth Teachers Resource Book that provided educators with ideas and background information for using the works of art in core subjects, as well as a dynamic online compendium of lesson plans, interactives, and more.
During its lifetime, Picturing America was distributed to over 55,000 schools and public libraries. In partnership with the Administration for Children and Families in the U. S. Department of Health and Human Services, it also served 20,000 Head Start centers across the country.
Although the active life of the project has now ended, the National Endowment is very pleased to continue to offer educators access to the digitized version of the Teachers Resource Book in five languages, with activities organized by elementary, middle, and high school levels, as well as over a dozen lesson plans and interactives based on Picturing America works of art, through NEH’s EDSITEment website.
From the Chairman:
Picturing America is an initiative of the We The People program of the National Endowment for the Humanities. Launched in 2002, We The People seeks to strengthen the teaching, study, and understanding of America’s history and founding principles. To promote this goal, Picturing America brings some of our nation’s most significant images into classrooms nationwide. It offers a way to understand the history of America- its diverse people and places, its travails and triumphs-through some of our greatest artistic masterpieces. This exciting new effort in humanities education will expose thousands of citizens to outstanding American art, and it will provide a valuable resource that can help bring the past alive.”
In so doing, Picturing America fits squarely within the mission of the NEH. The Endowment’s founding legislation declares that “democracy demands wisdom.” A nation that does not know where it comes from, or why it exists, or what it stands for, cannot be expected to long endure-so each generation of Americans must learn about our nation’s founding principles and its rich heritage. Studying the visual arts can help accomplish this. An appreciation of American art takes us beyond the essential facts of our history and gives us insight into our nation’s character, ideals, and aspirations. By using art to help our young people to see better, we can help them to understand better the continuing drama of the American experiment in self-government.”
My own experience testifies to art’s power to stimulate intellectual awakenings. When I was a young child my parents visited the National Gallery of Art in Washington, and they brought home a souvenir that would alter my life: a portfolio of illustrations from the collections of the National Gallery. As I pondered these great works of art, I had the first glimmerings of what would become a lifelong pursuit: to study and understand the form, history, and meaning of art. This was my gateway to a wider intellectual world. Through that open door, I would delve into history, philosophy, religion, architecture, and literature-the entire universe of the humanities.”
I hope that Picturing America will provide a similar intellectual gateway for students across America. This program will help today’s young Americans learn about our nation’s history. And that, in turn, will make them good citizens-citizens who are motivated by the stirring narrative of our past, and prepared to add their own chapters to America’s remarkable story.
Bruce Cole Chairman National Endowment for the Humanities
This November, the Kingston Public Library will feature local award winners of the Commonwealth of Massachusetts Senior Art Competition.
For the past four years members of Violet Berry’s oil painting class have been awarded prizes in the competition. This annual event is open to both professional and amateur events.
Each year entries must comply with a given theme. The submissions in the hundreds from more than 75 of the state’s cities and towns are displayed in the Commonwealth Museum each September. A luncheon and awards presentation is held at the museum at the end of September or early October.
The competition first began in 2011. To view past shows go to the website https://www.sec.state.ma.us/trs/trsgft/gftidx.
This August, we feature the paintings and carvings of Ruth Goddard. In this exhibit, Ruth’s watercolors feature landscapes from New Hampshire, Rockport, and Canada. Many of her pieces highlight historical Wakefield locales and the Gloucester Lighthouse.
In the display case, Ruth’s among the carvings featured are a Box turtle, a Trojan horse, a Bald eagle, and the poet Robert Frost. She also painted on wood and metal. Her two decorative plates are included in this display.
Ruth attended the Massachusetts College of Art and then drafting school sponsored by the United States Government from there, she worked as a draftsman at Genrad Corporation in Cambridge, Massachusetts, She also worked as a draftsman at the National Radio Company of Malden, and Lam Lighting in Wakefield.
Ruth was a brilliant watercolor artist and created hundreds of paintings for family and friends. Many of her pieces highlighted historical Wakefield locales. She exhibited at the Co-op Bank in Wakefield and the Wakefield Library. She was one of the Wakefield Art Association founders and won several prizes for her watercolors. Ruth was the President of the Wakefield Arts/Crafts from 1966 to 1968.
Ruth was a member of the Emmanuel Episcopal Church of Wakefield. She taught Sunday school and was very active in church activities. Out of the many things that she did…one was the artwork for the stone sign in front of the church, still there today.
As if she wasn’t busy enough–Ruth was a very active member in the Wakefield Garden Club for many years and, was a noted quilter, winning first prize for one of her quilts at a local show.
She and her family loved boating and spent many happy hours enjoying the ocean in Essex and Nantucket. She also loved figure skating where she met her husband of 58 years–Fred Goddard who was from Plymouth.
Ruth passed away on Friday, April 4, 2014 at the age of 91.
This June, our gallery and display case features the monotypes and collages of Bonnie Forsyth. In this exhibit, ‘A Quiet Smile‘, Bonnie continues her journey as an artist. Bonnie began her journey of expression through her art in 1995 when she met Nancy Connolly, artist, teacher and collaborator. This exhibit represents work done over the past year.
The artist expresses her view of the world through her collages, prints, painting and other media. Currently, she has been working with monoprints and collographs using a printing press.
When Bonnie has painted in the past, the way that she paints is like dance through her strokes, swirls and dabs of her brush.
Ms. Forsyth’s art has been exhibited at the South Shore Arts Center in Cohasset, the Fuller Museum in Brockton, Citizen’s Bank in Plymouth, PAC-TV in Plymouth and the Danforth Museum in Framingham at the invitation of artist Michael Dowling and Herb Lovett at a seminar on “The Theory of Intelligence”.
A reception for Bonnie will be held on Saturday, June 9 at 1 to 3 PM in the library courtyard. Everyone is welcome to attend.
Today, we may see gypsy moths outside our homes or in our woodlands and think nothing of them, but this insect has a tumultuous history in the United States.
In 1869, an amateur entomologist imported this species from Europe to his home in Medford, Massachusetts. He intended to use the moths to breed a silk-spinning moth that would be more resistant to disease than the domestic silkmoth. Unsurprisingly, several adult moths escaped from their enclosures, setting a number of problems in motion that we continue to grapple with today.
Stop by to learn more about Kingston’s efforts to eradicate this pest in this month’s local history exhibit!
This April, our gallery features the 20th Annual Sacred Heart High School Art Students Exhibition. This exhibit features their paintings, drawings and photographs. The students, under the direction of art teacher Julie Trahon, have brought their visions and talents to these unique creations.
In art, or “the looking class,” we learn to look harder and try to see things in a different light. We venture into our imagination, endeavor to express ourselves and share our unique perspective. “Through the Looking Class” is a collection of artwork and digital photography which reflects the lessons students have learned this year on the elements of art and the principles of design. These lessons include drawing still-lifes from observation, anatomy drawings, color studies, imaginative drawings, portraiture, multimedia projects, and digital photographs.
This exhibition provides a professional forum for student artists; another important purpose of this exhibit is to foster creativity and promote the importance of the arts in our schools.
In honor of Women’s History Month, March’s local history exhibit will feature materials from Emily Fuller Drew (1881-1950), who we have to thank for much of what we know about Kingston’s history. She put in an enormous of amount of work to help preserve the history of this town. Leaving a collection of more than 700 lantern slides, Emily photographed existing images that were decaying in order to preserve the informational content. She also photographed a variety of houses, buildings, events, and people of Kingston. Local history was a passion for Emily, and she recorded it not only visually, but also in her numerous unpublished essays and notes.
Stop by the library to learn more about Emily and her legacy!
Source: Image from the Emily Fuller Drew Collection (MC16).